So, after hooking up the Jensen P12R I put it through its paces and (taking in account that it wasn’t broken in yet) I came to the following conclusions:ġ) The Jensen P12R I tried was not a good fit for the Fender 57 Custom Deluxe I own. There were also accounts of it having a “fizzy” high end which I was concerned about, so I was waiting to hear if that proved to be true. The Jensen is also consistently described as being a relatively brighter speaker in most cases, which I was prepared for. I have no idea what the Eminence Sensitivity is, but it seems to be almost as loud as other modern speakers with Sensitivity ratings around 98 or 99 dBs, and it actually does sound like it’s at least 3 to 6 dBs louder than the P12R. The reason I went with the P12R was that the speaker’s 25 watts seemed like a better match to the amp’s 12 watt output rating:īefore I continue I’d just like to state that I really love the Eminence and my decision to try something else was born out of pure curiosity (since the original 5E3 Deluxes supposedly had Jensen P12Rs installed).Īlso, I read several reviews stating that the current Jensen P12R speaker’s are nothing like the vintage ones, so I wanted to see if that was true as well.Īnyway, aside from all that, the Eminence and Jensen P12R speakers are vastly different.įor one thing, the Eminence is much louder than the Jensen P12R (which has a Sensitivity of 93.7 dBs). I went with the Jensen P12R Alnico 12” speaker rated at 25 watts instead. Mine came with an Eminence “Specially Designed for Fender” Alnico 12” speaker, which I believe was first installed on the (then new) 2016 Fender 57 Custom Deluxe introduced at NAMM that year:īefore that, it appears Fender went with a Jensen P12Q Alnico 12” speaker rated at 40 watts (in the previous Fender “57 Deluxe Reissue”) but that is not the one I decided to go with in this shootout. The reissue Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency swirl make it perfect for building great tone with almost any guitar or effect, and it remains a staple of the Fender guitar amp line to this day.I’m sure people here are getting sick and tired of me doting over my Fender 57 Custom Deluxe 5E3 (circa 2019), but I just can’t help but continue trying to see how much more sweetness I can squeeze out of it - and to that end I had to hear for myself how a different speaker might affect things. Many guitarists, tired of experimenting with preamps, equalizers and effects racks, rediscovered the simple pleasure of plugging into a Fender tube amp. In the ’90s, Fender released an affordable ’59 Bassman reissue amplifier to great acclaim. Through the ’60s and ’70s, the original all-tube tweed 4×10” Bassman® was popular with rock, country and blues guitarists as a reliably great-sounding and easy-to-use guitar amp. The reissue Bassman’s wide stage coverage, touch-sensitive dynamics and full-frequency swirl make it perfect for building great tone with almost any guitar or effect, and it remains a staple of the In early 1952, the Fender® Bassman® amplified a great new invention – the Fender Precision Bass® guitar.Īt 50 watts, it competed easily with the common instrumentation of the day: horns, piano, small drum kit, and maybe even an electric guitar through a new 10-watt amp. At 50 watts, it competed easily with the common instrumentation of the day: horns, piano, small drum kit, and maybe even an electric guitar through a new 10-watt amp. In early 1952, the Fender® Bassman® amplified a great new invention – the Fender Precision Bass® guitar. Fender Bassman Vintage Reissue 2015 Lacquered Tweed
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